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THE BABE AND THE MULE
Two big reasons IGA is #1 in marketshare. (8/5a)
YOUR TOP 20 FOLKLORE SEQUEL, WITH DABABY GROWTH AND A CASK
OF BRANDY
Stay awhile, Tay. (8/5a)
COUNTRY STREAMING IS A THING
It's more than just Luke Combs. (8/4a)
NOISEMAKERS: YOUR LATEST SAMPLE PACK
The kids are alright. (8/5a)
GRAMMY CHEW, ALBUMS: 30 FOR EIGHT
Thoughts while noshing six feet apart. (8/5a)
BTS BRINGS IT
They're so dreamy.
VOTE BY MAIL
It's a conspiracy, because everyone does it.
IS IT CHRISTMAS?
No, but we're thinking about cookies.
WOKE MUSIC
Protest songs that sound like now.
Critics' Choice
KINDA DARK: A PLAYLIST
FOR THE CURRENT MOOD
4/3/20

The fifth episode of Devs (FX/Hulu) is framed by Free’s “Oh I Wept,” a truly inspired juxtaposition that catches the mood of right now as well as that of Alex Garland’s eerie, mesmerizing series (he’s the writer/director of the terrific films Ex Machina and Annihilation). I also copped Broken Bells’ “After the Disco” and Low’s “Congregation” from the Devs soundtrack (music supervisor: Becca Gatrell); they fit right in.

Kinda Dark mixes newly relevant songs from my most beloved bands and artists—Todd, Big Star, Matthew Sweet, The Tubes, The Odds, Radiohead—with current tracks that capture the vibe of right now, including Phantom Planet’s “Time Moves On,” JR JR’s “Good Old Days, The Strokes’ “Bad Decisions, Brent Cobb’s “The World Is Ending” and Blake Mills’ “Vanishing Twin.”

ll likelihood, I’ll keep messing with the selections and the sequence—that’s what’s so addictive about playlisting. —Bud Scoppa