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SOME LIKE IT HITS LIST
Where's Vanilla Ice when we need him? (8/14a)
SONY MUSIC LAUNCHES VOTING INITIATIVE
Nothing's more important right now. (8/14a)
SCARYPOOLPARTY:
AS REAL AS IT GETS
A writer looks at Alejandro Aranda and sees his own reflection. (8/14a)
DRAKE TAPS LIL DURK FOR NEW SINGLE
The offensive begins... (8/14a)
AIRHEAD: THE BIBLE
HOUSE RULES
How do you parody what is already a parody of itself? (8/14a)
BTS BRINGS IT
They're so dreamy.
VOTE BY MAIL
It's a conspiracy, because everyone does it.
IS IT CHRISTMAS?
No, but we're thinking about cookies.
WOKE MUSIC
Protest songs that sound like now.
Pub Crawling
GREG WELLS, SHOWMAN
6/18/18

Producer/songwriter/musician Greg Wells had never worked on a soundtrack before when director Michael Gracey asked him to pull together the music for The Greatest Showman.

The songs, by Warner/Chappell's awards-magnet duo of Pasek and Paul (La-La Land, Dear Evan Hansen), required integration with the imagery; uniting the unorthodox story with the music was, he says, a “herculean” task, but the results speak for themselves.

Indeed, Gracey told him that the movie looked different when paired with the powerful finished tracks. Soundtracks remain one of the few power alleys for retail and have demonstrated real staying power in the marketplace, in part because the power of the storytelling fuels each subsequent listen. It was an intense and at times overwhelming enterprise, says the highly respected and versatile Wells, a BMG-affiliated writer. But now he’s preparing to write, produce and play on a fully original new ST, about which more later.