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2019 TOP 50 ALBUMS
It's that time of year. (12/11a)
2019 TOP 50 STREAMS
What comes after X? (12/11a)
2019 MARKETSHARE:
SHOCK OF THE NEW
They got a name for the winners in the world. (12/10a)
NEAR TRUTHS: YEAR-END WRAP-UP, PART 1
Guess who's on top of the heap...again. (12/10a)
MERCK'S MID-YEAR NUMBERS
The buying spree sees results. (12/11a)
EGGNOG!
Ours is mostly bourbon.
MISTLETOE!
Delicious in salads.
CHESTNUTS!
Ours are roasting, but it could be these slim-fit jeans.
WEED!
An entire Christmas tree made of it. Is what we want. for Christmas.
Pub Crawling
GREG WELLS, SHOWMAN
6/18/18

Producer/songwriter/musician Greg Wells had never worked on a soundtrack before when director Michael Gracey asked him to pull together the music for The Greatest Showman.

The songs, by Warner/Chappell's awards-magnet duo of Pasek and Paul (La-La Land, Dear Evan Hansen), required integration with the imagery; uniting the unorthodox story with the music was, he says, a “herculean” task, but the results speak for themselves.

Indeed, Gracey told him that the movie looked different when paired with the powerful finished tracks. Soundtracks remain one of the few power alleys for retail and have demonstrated real staying power in the marketplace, in part because the power of the storytelling fuels each subsequent listen. It was an intense and at times overwhelming enterprise, says the highly respected and versatile Wells, a BMG-affiliated writer. But now he’s preparing to write, produce and play on a fully original new ST, about which more later.