Quantcast
Advertisement
 Email

 First Name

 Last Name

 Company

 Country
CAPTCHA code
Captcha: (type the characters above)

REVENUE CHART:
ALL ABOUT THE BENJAMINS
Look who won the lottery. (1/22a)
ICYMI: THE MUSIC OF INAUGURATION DAY
Just what the doctor ordered. (1/21a)
NEAR TRUTHS: CHANGINGS OF THE GUARD
A big start to 2021. (1/19a)
THE CELEBRATION
MOVES TO iTUNES
America embraces songs of hope and uplift. (1/21a)
TOP 20: GUTEN MORGAN
Another big week for Republic. (1/21a)
RAINMAKERS
Bring your umbrella.
GRAMMYS: WHERE TO FROM HERE?
After the snubs, the show.
HOW TO FIND 11,780 VOTES
It's the way all the biggest mob bosses did it.
MOVING THE NEEDLE
When vaccination schedules and touring schedules meet.
Pub Crawling
GREG WELLS, SHOWMAN
6/18/18

Producer/songwriter/musician Greg Wells had never worked on a soundtrack before when director Michael Gracey asked him to pull together the music for The Greatest Showman.

The songs, by Warner/Chappell's awards-magnet duo of Pasek and Paul (La-La Land, Dear Evan Hansen), required integration with the imagery; uniting the unorthodox story with the music was, he says, a “herculean” task, but the results speak for themselves.

Indeed, Gracey told him that the movie looked different when paired with the powerful finished tracks. Soundtracks remain one of the few power alleys for retail and have demonstrated real staying power in the marketplace, in part because the power of the storytelling fuels each subsequent listen. It was an intense and at times overwhelming enterprise, says the highly respected and versatile Wells, a BMG-affiliated writer. But now he’s preparing to write, produce and play on a fully original new ST, about which more later.