Quantcast
Advertisement
 Email

 First Name

 Last Name

 Company

 Country
CAPTCHA code
Captcha: (type the characters above)

TAYLOR’S LOVER: READING BETWEEN THE LAYERS
It goes deep in places. (8/23a)
THE GRAMMY CHEW:
ALBUM CONTENDERS
These machers have one-track minds. (8/23a)
NEAR TRUTHS:
IT’S TAYLOR’S TIME
Looking at her big week from a different angle. (8/23a)
LOVE FOR LOVER FROM SCOTT AND SCOOTER
An olive branch? (8/23a)
UNDER HIPGNOSIS: MERCK CATALOGS HIS PLAN (PART 1)
From the horse's mouse (8/23a)
TAYLOR SWIFT!
Taylor Swift. Taylor Swift? Taylor Swift; Taylor. Swift. Taylor Swift!
TAYLOR SWIFT.
Taylor Swift...  
TAYLOR SWIFT?
Taylor Swift. Taylor Swift. Taylor Swift.   
TAYLOR. SWIFT.
Taylor!
Pub Crawling
NASHVILLE'S NEXT-WAVE PUBLISHERS: TRAVIS GORDON (UMPG NASHVILLE, SENIOR CREATIVE DIRECTOR)
7/11/19

Travis’ key writers include Troy Verges, Natalie Hemby, Chase McGill, Rachel Wammack, Greylan James and Catie Offerman.

Notable cuts include the Grammy-winning “Humble & Kind” by Tim McGraw, Grammy-nominated “Break Up in the End” by Cole Swindell and “When Someone Stops Loving You” by Little Big Town, Michael Ray’s biggest-selling single to date, “Think a Little Less,” and the late, great Andrew Dorff’s “Yours if You Want It” by Rascal Flatts.

“Music is being released at a faster rate than ever before,” Gordon notes. “With more songs and artists constantly being pumped into the marketplace, you need truly great songs and artists to rise above the noise.”