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BLACK HISTORY MONTH: FUNK, PART 1
Bow down to the Godfather of Soul. (2/24a)
ROSENBERG TO EXIT DEF JAM; HARLESTON INTERIM CHIEF; MCNAIR COMES ABOARD
A Shady move. (2/24a)
REBA RETURNS TO UMG NASHVILLE
She's back to where she once belonged. (2/21a)
NEAR TRUTHS:
THE FOREVER MARCH
The struggle continues. (2/21a)
PINGING: BABY KEEM
What's that buzz? (2/24a)
DON'T TALK TO THE PRESS
Also, don't leak the memo about not talking to the press to the press. Please.
GRAMMY VOTING
How the sausage is made.
BIEBER'S BIG BOW
Changes changes the conversation.
PRIMARIES
So hard to decide...
THE B-SIDE
Sasha Sloan (Good Times Recording)
2/27/18

WHAT IT IS: Sasha Sloan established herself as one to watch last fall when she wrote and appeared on Kygo’s “This Town,” King Henry’s “I’ll Be There” and Odesza’s “Falls.” Her rise has continued with the release of her first solo track, “Ready Yet,” and follow-up “Runaway,” which was featured at #2 on Spotify’s New Music Friday playlist. She’ll bring her heartfelt, left-of-center pop to her highly anticipated debut EP—set to be released this spring. Sloan’s songwriting talents have also been sought after by today’s top artists, including Camila Cabello (“Never Be the Same”), Maggie Lindemann (“Pretty Girl”), Steve Aoki/Louis Tomlinson (“Just Hold On”), Tinashe/Future (“Faded Love”) and more. Her songwriting has leant itself to over 1b streams.
SINGLE: “Normal”
LIVE: Opening for Joywave on current nationwide tour (Feb-March); booked for multiple major festivals in the U.S.
INTERNET: Debut single “Ready Yet” has amassed 7.3m+ Spotify streams since October release; 6.4m+ “Runaway” streams
PRESS: Complex (“Sloan pour[s] her soul out over a melancholic backdrop as she deals with heartbreak”), Billboard (“bright talent returns with a two-track offering that only builds the hype”), Notion (“Sloan shows off her impressive lyric writing ability”)
BOOKING: Matt Galle/Paradigm
PUBLISHING: Warner/Chappell
MANAGEMENT: Rupert Lincoln/Hills Artist Management