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BLACK HISTORY MONTH: FUNK, PART 1
Bow down to the Godfather of Soul. (2/24a)
ROSENBERG TO EXIT DEF JAM; HARLESTON INTERIM CHIEF; MCNAIR COMES ABOARD
A Shady move. (2/24a)
REBA RETURNS TO UMG NASHVILLE
She's back to where she once belonged. (2/21a)
NEAR TRUTHS:
THE FOREVER MARCH
The struggle continues. (2/21a)
PINGING: BABY KEEM
What's that buzz? (2/24a)
DON'T TALK TO THE PRESS
Also, don't leak the memo about not talking to the press to the press. Please.
GRAMMY VOTING
How the sausage is made.
BIEBER'S BIG BOW
Changes changes the conversation.
PRIMARIES
So hard to decide...
THE B-SIDE
Angie McMahon (Dualtone)
4/22/19

WHAT IT IS: After breaking ground in her home country of Australia, Angie McMahon made her way to the U.S., where she decidedly left her mark during her very first visit in 2019. Respected for her powerful songwriting and gritty vocals, she was awarded the coveted Grulke Prize for Best Developing Non-U.S. Artist at SXSW. Before the festival, she was named one of NPR Music’s Austin 100; later, she was dubbed “breakout act” by The Austin Chronicle. “Keeping Time”—off her upcoming debut album—is getting positive reactions at radio, while her wide vocal range, dynamic variation and emotional performances continue to turn heads toward this rising star.
ALBUM: Salt
RELEASE DATE: Summer 2019
SINGLE: “Keeping Time”
LIVE: Recent support dates with Mumford & Sons, Father John Misty, The Shins and The Pixies; sold out first national headlining tour in Australia (1.5-2k capacity venues) off the backs of three singles
INTERNET: 15m artist streams on Spotify, more than half a million monthly listeners
RADIO: Single impacting at AAA radio now; early play from tastemaker stations KCSN, WFUV, KXT Dallas, KCMP, WXPN, WXRT, KINK, WPYA, KRSH, WTMD, KTBG, more; Top 5 most played artist of 2018 on Triple J Unearthed in Australia; recipient of an award from the Triple J Unearthed Laneway Festival 2018
PRESS: NPR (“at times, she sounds like a one-woman reincarnation of Fleetwood Mac”), Fader (“‘Keeping Time’ [is] a testament to her dramatic voice”), Paste (“deep velveteen vocals and fiery rock songs”), Wild Honey Pie, Austin360
BOOKING: Ben Schiffer
/WME
PUBLISHING: Kobalt
(ASCAP)
MANAGEMENT: Charlotte Abroms/Hear Hear Group